"San Diego newcomer Theo Allyn makes a moving local premiere...Allyn is an excellent and authentic actress and a powerhouse singer." -- San Diego Union-Tribune, This Beautiful City
"Theo Allyn's performances...were seductively gorgeous and heart-wrenching. The emotions conveyed through spoken word and song left the audience silent or in tears." -- Gay San Diego, This Beautiful City
"Probably the most powerful segments come courtesy of Theo Allyn..." -- San Diego Magazine, This Beautiful City
"Theo Allyn is tremendous." -- Broadway World, This Beautiful City
"The play doesn't really start until she enters.” -- Pittsburgh Post-Gazette, The Sisters Grey
"Preternaturally skilled...prolific, vibrant and emotive." -- Pittsburgh City Paper, Looking for the Pony
"Deliciously weird." -- Time Out Chicago, The Upstairs Concierge
"Lovably quirky." -- The Washington Observer-Reporter, Hollywood Arms
“Theo Allyn is superb.” -- The Scarsdale Inquirer, Rabbit Hole
"[One] of the most naturalistic actors I've seen on a Pittsburgh stage."
-- Pittsburgh City Paper, Violet Sharp
"Allyn is a well-known dramatic actress, and she alternates between classical monologue and childlike rambling at the drop of a skull...Allyn performs 'to be or not to be,' and her interpretation alone is worth the visit." -- Pittsburgh City Paper, Her Hamlet
"The flame-haired Allyn gives a bravura performance...Despite her diminutive stature (she's really not much taller than a fire hydrant), Allyn...imbues Mezzulah with a fiery passion that's almost infectious." -- The Palm Beach Post, Mezzulah, 1946
"Theo Allyn provides a magnetic depiction of a young woman struggling to understand herself." -- Coal Hill Review, Her Hamlet
"She brought a tremulous vulnerability to the performances she gave." -- The Washington Observer-Reporter, Violet Sharp
"Allyn's determination to find and play the laughs is a pretty remarkable thing to watch." -- Pittsburgh City Paper, Precious Little
"Theo Allyn's performances...were seductively gorgeous and heart-wrenching. The emotions conveyed through spoken word and song left the audience silent or in tears." -- Gay San Diego, This Beautiful City
"Probably the most powerful segments come courtesy of Theo Allyn..." -- San Diego Magazine, This Beautiful City
"Theo Allyn is tremendous." -- Broadway World, This Beautiful City
"The play doesn't really start until she enters.” -- Pittsburgh Post-Gazette, The Sisters Grey
"Preternaturally skilled...prolific, vibrant and emotive." -- Pittsburgh City Paper, Looking for the Pony
"Deliciously weird." -- Time Out Chicago, The Upstairs Concierge
"Lovably quirky." -- The Washington Observer-Reporter, Hollywood Arms
“Theo Allyn is superb.” -- The Scarsdale Inquirer, Rabbit Hole
"[One] of the most naturalistic actors I've seen on a Pittsburgh stage."
-- Pittsburgh City Paper, Violet Sharp
"Allyn is a well-known dramatic actress, and she alternates between classical monologue and childlike rambling at the drop of a skull...Allyn performs 'to be or not to be,' and her interpretation alone is worth the visit." -- Pittsburgh City Paper, Her Hamlet
"The flame-haired Allyn gives a bravura performance...Despite her diminutive stature (she's really not much taller than a fire hydrant), Allyn...imbues Mezzulah with a fiery passion that's almost infectious." -- The Palm Beach Post, Mezzulah, 1946
"Theo Allyn provides a magnetic depiction of a young woman struggling to understand herself." -- Coal Hill Review, Her Hamlet
"She brought a tremulous vulnerability to the performances she gave." -- The Washington Observer-Reporter, Violet Sharp
"Allyn's determination to find and play the laughs is a pretty remarkable thing to watch." -- Pittsburgh City Paper, Precious Little